Walking the Tightrope

Perhaps more so than in any previous work, Nietzsche is the quintessential warrior-philosopher in Twilight of the Idols . But we should take care in interpreting this. For him this is a style of living that is non-violent . Rather, Nietzsche advocates an aggressive, creative personal as well as cultural confidence and inner strength.  It is, paradoxically perhaps, a source of joy. For the most part I will present aspects of the work not referenced by Julian Young in the prior post. “To stay cheerful when involved in a gloomy and exceedingly responsible business is no inconsiderable art: yet what could be more necessary than cheerfulness? Nothing succeeds in which high spirits play no part.  Only excess of strength is proof of strength. - A revaluation of all values , this question-mark so black, so huge it casts a shadow over him who sets it up – such a destiny of a task compels one every instant to run out into the sunshine so as to shake off a seriousness grown all too oppressive

Like The Case of Wagner , Nietzsche's next work, Twilight of the Idols , was considered by its author as a “relaxation” from the revaluation project, though it is perhaps more accurate to describe Twilight as yet another (one could count Beyond Good and Evil as well) prelude to the project. He addresses many of the themes intended for the project and specifically mentions the "revaluation of all values" a few times throughout the course of the work.  Still, it was apparently not structured in a way that Nietzsche intended for the project itself.   Twilight is a "free-form" or in some sense "casual" approach to the issues involving the project rather than a work consisting of a series of critiques and ideas progressing one upon the other, as is more the case with The Antichrist .   “It was begun, as Nietzsche reports, on August 18 and finished twenty days later on September 7.  Though it incorporates notebook material that was originally intended f